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James Massey of Piper’s Model Makers cleans the City of London’s official 1:500th scale architectural model of central London, which has gone on public display at the City Centre gallery, London: photo by Dominic Lipinski/PA, 16 May 2016
James Massey of Piper’s Model Makers cleans the City of London’s official 1:500th scale architectural model of central London, which has gone on public display at the City Centre gallery, London: photo by Dominic Lipinski/PA, 16 May 2016
torns vp the grayns off gold alredy tryd wyche
like bendyd mone doth lend her lusty syd
Sir Thomas Wyatt (1503-1542): in Spayn, c. 3 June 1539: text from British Library Egerton MS. 2711, fol. 69 (holograph); transcription via Richard Harrier, The Canon of Sir Thomas Wyatt's Poetry (1975)
The Ambassadors (detail): Hans Holbein the Younger, 1533, oil on oak (National Gallery, London)
The Ambassadors (detail): Hans Holbein the Younger, 1533, oil on oak (National Gallery, London)
Portrait of the Merchant Georg Gisze (detail): Hans Holbein the Younger, 1532, oil on wood (Staatliche Museen, Berlin)
Christina of Denmark, Duchess of Milan (detail): Hans Holbein the Younger, 1538, oil on oak (National Gallery, London)
Portrait of Thomas Cromwell: Hans Holbein the Younger, c. 1533, oak, 76 x 61 cm (Frick Collection, New York)
View of Syon House across the Thames near Kew Gardens: Richard Wilson (1714-1782), c. 1760, oil on canvas, 104 x 139 cm (Neue Pinakothek, Munich)
View of Syon House across the Thames near Kew Gardens: Richard Wilson (1714-1782), c. 1760, oil on canvas, 104 x 139 cm (Neue Pinakothek, Munich)
View of London: Antonio Joli, 1743-50, oil on canvas, 151 x 278 cm (Private collection)
The River Thames with St. Paul's Cathedral on Lord Mayor's Day: Canaletto, 1746-47, oil on canvas (Lobkowicz Collections, Lobkowicz Palace, Prague)
London: Greenwich Hospital from the North Bank of the Thames: Canaletto, c. 1753, oil on canvas, 66 x 112.5 cm (National Maritime Museum, Greenwich)
London: The Thames and the City of London from Richmond House: Canaletto, 1747, oil on canvas, 105 x 117.5 cm (Private collection)
London: The Thames and the City of London from Richmond House (detail): Canaletto, 1747 (Private collection)
London: the Thames and the City of London from the Terrace of Richmond House: Canaletto, c. 1747, pen and ink with wash on paper, 337 x 540 mm (Private collection)
City workers crossed the Millennium Bridge over the River Thames on a foggy morning in London: photo by Toby Melville/Reuters, 2 November 2015
City workers crossed the Millennium Bridge over the River Thames on a foggy morning in London: photo by Toby Melville/Reuters, 2 November 2015
A seagull flies past Westminster Bridge during a foggy day in central London today. Airports across Britain suffered disruption on Monday as heavy fog led to delays and cancellations for a second day. Flights to and from London airports were being affected, while foggy conditions in the capital and across Europe were causing problems to airports around the country: photo by Stefan Wermuth/Reuters, 2 November 2015
A seagull flies past Westminster Bridge during a foggy day in central London today. Airports across Britain suffered disruption on Monday as heavy fog led to delays and cancellations for a second day. Flights to and from London airports were being affected, while foggy conditions in the capital and across Europe were causing problems to airports around the country: photo by Stefan Wermuth/Reuters, 2 November 2015
James Massey of Piper’s Model Makers cleans the City of London’s official 1:500th scale architectural model of central London, which has gone on public display at the City Centre gallery, London: photo by Dominic Lipinski/PA, 16 May 2016
James Massey of Piper’s Model Makers cleans the City of London’s official 1:500th scale architectural model of central London, which has gone on public display at the City Centre gallery, London: photo by Dominic Lipinski/PA, 16 May 2016
y t
Tagus fare well t westward w thy strems
torns vp the grayns off gold alredy tryd
t
w spurr and sayle for I go seke the tems
~ t
the sonne y shewthe her welthi pryd
and to the town brutus sowght by drems
like bendyd mone doth lend her lusty syd
alone
My Kyng my Contry for whome <only alone> I lyve
~
~
of myghty love the winge for this me gyve
The Ambassadors (detail): Hans Holbein the Younger, 1533, oil on oak (National Gallery, London)
The Ambassadors (detail): Hans Holbein the Younger, 1533, oil on oak (National Gallery, London)
Portrait of the Merchant Georg Gisze (detail): Hans Holbein the Younger, 1532, oil on wood (Staatliche Museen, Berlin)
Christina of Denmark, Duchess of Milan (detail): Hans Holbein the Younger, 1538, oil on oak (National Gallery, London)
Portrait of Thomas Cromwell: Hans Holbein the Younger, c. 1533, oak, 76 x 61 cm (Frick Collection, New York)
View of Syon House across the Thames near Kew Gardens: Richard Wilson (1714-1782), c. 1760, oil on canvas, 104 x 139 cm (Neue Pinakothek, Munich)
View of Syon House across the Thames near Kew Gardens: Richard Wilson (1714-1782), c. 1760, oil on canvas, 104 x 139 cm (Neue Pinakothek, Munich)
View of London: Antonio Joli, 1743-50, oil on canvas, 151 x 278 cm (Private collection)
The River Thames with St. Paul's Cathedral on Lord Mayor's Day: Canaletto, 1746-47, oil on canvas (Lobkowicz Collections, Lobkowicz Palace, Prague)
London: Greenwich Hospital from the North Bank of the Thames: Canaletto, c. 1753, oil on canvas, 66 x 112.5 cm (National Maritime Museum, Greenwich)
London: The Thames and the City of London from Richmond House: Canaletto, 1747, oil on canvas, 105 x 117.5 cm (Private collection)
London: The Thames and the City of London from Richmond House (detail): Canaletto, 1747 (Private collection)
London: the Thames and the City of London from the Terrace of Richmond House: Canaletto, c. 1747, pen and ink with wash on paper, 337 x 540 mm (Private collection)
Composed Upon Westminster Bridge, September 3, 1802
Earth has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!
William Wordsworth (1770-1850): Composed Upon Westminster Bridge, September 3, 1802
City workers crossed the Millennium Bridge over the River Thames on a foggy morning in London: photo by Toby Melville/Reuters, 2 November 2015
City workers crossed the Millennium Bridge over the River Thames on a foggy morning in London: photo by Toby Melville/Reuters, 2 November 2015
A City worker shields his eyes from the sun outside of the Bank of England in the City of London, Britain today: photo by Toby Melville/Reuters, 29 March 2016
A City worker shields his eyes from the sun outside of the Bank of England in the City of London, Britain today: photo by Toby Melville/Reuters, 29 March 2016
A seagull flies past Westminster Bridge during a foggy day in central London today. Airports across Britain suffered disruption on Monday as heavy fog led to delays and cancellations for a second day. Flights to and from London airports were being affected, while foggy conditions in the capital and across Europe were causing problems to airports around the country: photo by Stefan Wermuth/Reuters, 2 November 2015
A seagull flies past Westminster Bridge during a foggy day in central London today. Airports across Britain suffered disruption on Monday as heavy fog led to delays and cancellations for a second day. Flights to and from London airports were being affected, while foggy conditions in the capital and across Europe were causing problems to airports around the country: photo by Stefan Wermuth/Reuters, 2 November 2015