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Wislawa Szymborska: Cat in an Empty Apartment

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Zawiercie, Poland: photo by Koos Fernhout, 6 January 2013



Die -- you can’t do that to a cat.
Since what can a cat do
in an empty apartment?
Climb the walls?
Rub up against the furniture?
Nothing seems different here
but nothing is the same.
Nothing’s been moved
but there’s more space.
And at nighttime no lamps are lit.

 

Footsteps on the staircase,
but they’re new ones.
The hand that puts fish on the saucer
has changed, too.

 

Something doesn’t start
at its usual time.
Something doesn’t happen
as it should.
Someone was always, always here,
then suddenly disappeared
and stubbornly stays disappeared.

 

Every closet’s been examined.
Every shelf has been explored.
Excavations under the carpet turned up nothing.
A commandment was even broken:
papers scattered everywhere.
What remains to be done.
 

Just sleep and wait.
Just wait till he turns up,
just let him show his face.
Will he ever get a lesson
on what not to do to a cat.
Sidle toward him
as if unwilling
and ever so slow
on visibly offended paws,
and no leaps or squeals at least to start.




Wislawa Szymborska (1923-2012): Cat in an Empty Apartment, translated from the Polish by Clare Cavanagh and Stanislaw Baranczak




Semi-feral cats, disused industrial zone, Bytom Bobrek, Poland: photo by Koos Fernhout, 16 December 2013
 

Zawiercie, Poland: photo by Koos Fernhout, 6 January 2013

Bright Ideas

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Cities of Tomorrow #3, New York, N.Y.: photo by Jim Rohan, 23 February 2014


the failing organism
impatiently
to the construct personality:
"You and your bright ideas
on fire
in that bag over your head again."





 Mr G Gets Another Bright Idea: photo via Rosa Lichtenstein (Born-Again Mystic)

WESTINGHOUSE MAZDA LAMPS LIFE 09/20/1937 p. 112

Westinghouse Electric Corporation advertisement for Westinghouse Mazda Lamps: Life, 20 September 1937 (Gallery of Graphic Design)

WESTINGHOUSE MAZDA LAMPS LIFE 06/01/1942 p. 18

Westinghouse Electric Corporation advertisement for Westinghouse Mazda Lamps: Life, 1 June 1942 (Gallery of Graphic Design)


IMG_5423: photo by locaburg, 17 March 2006


Self (Holga wet plate)Wet plate glass negative in a Holga. Me, sleeping on the floor of theNew England School of Photography. It was a long exposure. I took a nap: photo by Jim Rohan, 9 February 2014


Untitled (myself, shopwindow reflection, Stockholm): photo by Hans Söderström, 9 September 2013



Untitled (bunnies, Kungsträdgarden, Stockholm): photo by Hans Söderström, 12 October 2013


Bright Ideas, New York, New York (sidewalk figure, Brooklyn Bridge): photo by Jim Rohan, 18 February 2014

Delmore Schwartz: When Many Hopes Were Dead and Most Disguises

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File:Nyc10795u.jpg

Night in Luna Park, Coney Island, New York: photographer unknown for Detroit Publishing Company, c. 1905; image by Trialsanderrors, 14 July 2008 (Library of Congress)


Nothing that he expected but surprises,
Seeking surprise like one at Luna Park
(All the grand ohs as genuine as a claque,
Cigars and dolls, exploded booby prizes);
Given each thing except the thing he wanted
(Like a rich girl who wants to be a boy)
Though what he wanted was the joy of joy
-- If it was that -- since each desire counted

For naught but the false hope that here, at last!...
-- And now?  While new illusion shines and rains
Like a bad Spring, what famous game remains?
To praise unmaskers and unmasking, do
With love what they did, trying to be true,
Before the shows and sketches have been passed.


DelmoreSchwartz (1913-1966): When ManyHopeswereDead and MostDisguises, from Vaudeville for a Princess, 1950


File:Luna Park at night, Coney Island, New York (LOC det.4a06541‒3).jpg

Luna Park at night: photographer unknown for Detroit Publishing Company, between 1903 and 1906; image by Trialsanderrors, 16 May 2011 (Library of Congress)
 
File:Luna Park at night 1906.jpg

Luna Park at night: photo by Samuel H. Gottsho, 1906; image by Alcmaeonid, 6 May 2011 (New York Times Photo Archive)


File:Bridge of Laughs, Luna Park, Coney Island.jpg

Bridge of Laughs, Luna Park, Coney Island, New York: photographer unknown, n.d.; image by Fordmadoxfraud, 2 April 2008 (Library of Congress)


File:Fatty at Coney Island.jpg

Fatty Arbuckle rides on The Whip in the 1917 Paramount film Coney Island image by Postdif, 1 September 2007


File:Riding a Camel, Luna Park.jpg

Riding a Camel, Luna Park, Coney Island
: photographer unknown for Detroit Publishing Company, c. 1908; image by Martin H., i July 2010 (Library of Congress)


File:Loop the Loop, Luna Park, Coney Island.jpg

Loop the Loop, Luna Park, Coney Island
: photographer unknown for Detroit Publishing Company, 1905; image by JustSomePics, 3 February 2012 (Library of Congress)


File:Luna Park historic postcard.jpg

 Vintage postcard depicting entrance to Luna Park, Coney Island
: photographer unknown, early 20th century; image by Heresthe casey, 23 February 2008

 
File:The Dragon's Gorge, Luna Park, Coney Island, NY.jpg

The Dragon's Gorge (an enclosed roller coaster), Luna Park, Coney Island, New York
: photographer unknown, n.d.; image by Hugh Manatee, 2009


File:Shooting the Chutes at Luna Park, Coney Island, NY.jpg

Shooting the Chutes at Luna Park, Coney Island, New York
: photographer unknown, postcard published by Hamlin and Moskowitz, 1907; image by Hugh Manatee, 2009


File:Helter Skelter, Luna Park, Coney Island, NY.jpg

Helter Skelter slide, Luna Park, Coney Island, New York: photographer unknown, postcard published by the Illustrated Postal Card Company, 1906; image by Hugh Manatee, 2009


File:Luna Park, Surf Avenue, Coney Island, NY.jpg

Luna Park, Surf Avenue, Coney Island, New York: photographer unknown, postcard published by C.S. Woolworth and Company, 1913; image by Hugh Manatee, 2009


File:Elephant Ride in Luna Park, Coney Island, NY.jpg

Elephant ride in Luna Park, Coney Island, New York: photographer unknown, 1906; image by Hugh Manatee, 2009

Doom Forest

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Oh No! Coconut Tree Cell Phone Tower. Olivier was disgusted that they were making cell phone towers that look like coconut trees. He wants to know where the towers are so that they do not sneak up on people. In Tahiti East of Papeete: photo by Ray Tomes, 5 October 2009



somewhere in the cartoon suspended  
animation silence of the exurban commuter night
quietly behind a stageprop gated wall

rain falls softly on the cell phone tower trees





Cell Phone Tower, Beaverton, Oregon: photo by Austin Granger, 28 November 2011
 


 Cell phone tree, Contra Costa County, California: photo by pointnshoot, 2 July 2010
 

 Cell phone trees: photo by pointnshoot, 29 July 2013
 


 Cell phone tree, Sierra Vista, Arizona: photo by pointnshoot, 9 May 2011



 Cell phone antenna pine tree in Las Vegas. Oso Blanca Road: photo by pointnshoot, 5 May 2009



  Unnatural Palm in Las Vegas. Washingtpn  Avenue overpass and 95: photo by pointnshoot, 5 May 2009
 

  Cell phone pine tree in Las Vegas. Durango and Centennial Parkway: photo by pointnshoot, 5 May 2009
 

 Cell phone antenna tree, Hesperian Boulevard: photo by pointnshoot, 20 January 2009
 

 Cell phone tower on private property in Fremont, California: photo by pointnshoot, 4 October 2007
 


 Cell phone antennas in Alamo, California. A phony tree betwen two dead trees. Stone Valley Road: photo by pointnshoot, 10 July 2007
 

 Cell tower on 680 in Pleasanton: photo by pointnshoot, 15 July 2007
 

 Cell phone palm tree. Cell phone antenna tower in Oakland: photo by pointnshoot, 15 December 2007
 

 Cell tower "tree".: photo by pointnshoot, 29 July 2007


 Cell phone antennas in hiding. Fish Ranch Road, just outside the Caldecott Tunnel: photo by pointnshoot, 27 June 2006
 

 Cell phone tree, Ygnacio Valley Road, Concord, California: photo by pointnshoot, 30 June 2008
 


 Two cell phone tower trees: photo by pointnshoot, 13 March 30 June 2009
 

 Cell tree. A.T. and T. Mobility, Dublin, California: photo by pointnshoot, 10 January 2013



Main Street by the Los Angeles River, Los Angeles, California. The "tree" is actually a mobile phone antenna: photo by fliegender, 4 November 2004
 

Cell Tower Disguised as Palm Tree, Las Vegas: photo by Jon Miller, 16 February 2007
 

Cell Tower. There it is folks. Vertical Gold, Vermont Tree...: photo by Amy Boemig, 20 August 2008




Hidden reception. A fake-tree cell tower at the Manhattan Beach Target: photo by Christian Newton, 19 November 2006



Cell phone tower disguised to look like pine tree. Sunset Hill cemetery, Valdosta, Georgia: photo by tom spinker, 10 March 2013



Cell Tree Storm, Keystone, Colorado: photo by Richard Johnson (tab2space), 24 February 2010

With 5.9 billion reported users, mobile phones constitute a new, ubiquitous and rapidly growing exposure worldwide. Mobile phones are two-way microwave radios that also emit low levels of electromagnetic radiation. Inconsistent results have been published on potential risks of brain tumors tied with mobile phone use as a result of important methodological differences in study design and statistical power. Some studies have examined mobile phone users for periods of time that are too short to detect an increased risk of brain cancer, while others have misclassified exposures by placing those with exposures to microwave radiation from cordless phones in the control group, or failing to attribute such exposures in the cases. In 2011, the World Health Organization, International Agency for Research on Cancer (IARC) advised that electromagnetic radiation from mobile phone and other wireless devices constitutes a “possible human carcinogen”. Recent analyses not considered in the IARC review that take into account these methodological shortcomings from a number of authors find that brain tumor risk is significantly elevated for those who have used mobile phones for at least a decade. Studies carried out in Sweden indicate that those who begin using either cordless or mobile phones regularly before age 20 have greater than a fourfold increased risk of ipsilateral glioma. Given that treatment for a single case of brain cancer can cost between $100,000 for radiation therapy alone and up to $1 million depending on drug costs, resources to address this illness are already in short supply and not universally available in either developing or developed countries. Significant additional shortages in oncology services are expected at the current growth of cancer. No other environmental carcinogen has produced evidence of an increased risk in just one decade. Empirical data have shown a difference in the dielectric properties of tissues as a function of age, mostly due to the higher water content in children's tissues. High resolution computerized models based on human imaging data suggest that children are indeed more susceptible to the effects of EMF exposure at microwave frequencies. If the increased brain cancer risk found in young users in these recent studies does apply at the global level, the gap between supply and demand for oncology services will continue to widen. Many nations, phone manufacturers, and expert groups, advise prevention in light of these concerns by taking the simple precaution of “distance” to minimize exposures to the brain and body. We note than brain cancer is the proverbial “tip of the iceberg”; the rest of the body is also showing effects other than cancers.

Swedish review strengthens grounds for concluding that radiation from cellular and cordless phones is a probable human carcinogen: Abstract of a study by Devra Lee Davis, Santosh Kesari, Colin L. Soskolne, Anthony B. Miller and Yael Stein, in Pathophysiology, Vol. 20, Issue 2, April 2013





Cell Phone Tower Tree, I-88, upstate New York. One of my favorites. This one is a particularly awesome failure: photo by mapleboughs, 4 June 2011

Roberto Bolaño: Godzilla in Mexico (from Romantic Dogs)

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IMG_0190 (Julian, azotea, laundry): photo by locaburg, 6 May 2006


Listen carefully, my son: bombs were falling
over Mexico City
but no one even noticed.
The air carried poison through
the streets and open windows.
You'd just finished eating and were watching
cartoons on TV.
I was reading in the bedroom next door
when I realized we were going to die.
Despite the dizziness and nausea I dragged myself
to the kitchen and found you on the floor.
We hugged. You asked what was happening
and I didn't tell you we were on death's program
but instead that we were going on a journey,
one more, together, and that you shouldn't be afraid.
When it left, death didn't even
close our eyes.
What are we? you asked a week or year later,
ants, bees, wrong numbers
in the big rotten soup of chance?
We're human beings, my son, almost birds,
public heroes and secrets.


 
Roberto Bolaño (1953-2002): Godzilla in Mexico, from The Romantic Dogs (Los perros románticos), poems 1980-1988, published posthumously, 2006, English translation by Laura Healy, 2008





IMG_9690 (Sunday afternoon, Mexico City): photo by locaburg, 21 December 2005
 

IMG_4150  (Julian, iron man): photo by locaburg, 11 October 2008
 

IMG_1592 (white robe, Godzilla): photo by locaburg, 6 October 2010
 

IMG_0848 (dog, ice cream): photo by locaburg, 16 October 2013
 

IMG_8746: photo by locaburg, 16 October 2013
 

DSCF8730 (Great Dane, Mexico City): photo by locaburg, 25 September 2012
 

IMG_2002 (dog, Monte Escobedo, Zacatecas): photo by locaburg, 10 January 2008
 


IMG_
9782 (three white dogs)
: photo by locaburg, 8 June 2010

 

IMG_8807 (dogs, Xoloscuintle): photo by locaburg, 7 December 2005
 

IMG_0845 (muzzled dog): photo by locaburg, 11 September 2009
 

IMG_1482 (dog, skull, Xoloscuintle, iztapalapa): photo by locaburg, 16 February 2011
 

IMG_7684 (dog, car, brick): photo by locaburg, 22 December 2009

Then and Now

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B and W IV: photo by Mikael Jeney, 18 January 2014
 

Then it was always
for now, later
for later.
And then years of now
passed, and it grew later
and later. Trapped
in the shrinking
chocolate box
the confused sardine
was unhappy. It
leapt, and banged its head
again. And afterward
they said shall we
repeat the experiment.
And it said
later for that.




Kerstfest, Beursplein, Amsterdam: photo by Robert Schneider, 26 December 2013

Thomas Hardy: Afterwards

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01671. concentrated cornish coloration hues (flock of starlings... I think): photo by Junk Male (borrowed_time), 9 November 2007 


When the Present has latched its postern behind my tremulous stay,
..And the May month flaps its glad green leaves like wings,
Delicate-filmed as new-spun silk, will the neighbours say,
.."He was a man who used to notice such things"?

If it be in the dusk when, like an eyelid's soundless blink,
..The dewfall-hawk comes crossing the shades to alight
Upon the wind-warped upland thorn, a gazer may think,
.."To him this must have been a familiar sight."

If I pass during some nocturnal blackness, mothy and warm,
..When the hedgehog travels furtively over the lawn,
One may say, "He strove that such innocent creatures should come to no harm,
..But he could do little for them; and now he is gone."

If, when hearing that I have been stilled at last, they stand at the door,
..Watching the full-starred heavens that winter sees,
Will this thought rise on those who will meet my face no more,
.."He was one who had an eye for such mysteries"?

And will any say when my bell of quittance is heard in the gloom,
..And a crossing breeze cuts a pause in its outrollings,
Till they rise again, as they were a new bell's boom,
.."He hears it not now, but used to notice such things"?


Thomas Hardy (1840-1928): Afterwards, from Moments of Vision, 1917



02067 [Untitled]: photo by Junk Male (borrowed_time), 21 February 2008

 
01786. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 3 December 2007


01719. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 26 November 2007

 

01819. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 23 December 2007


01812. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 21 December 2007


01715. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 24 November 2007



01815. concentrated cornish coloration hues...first light this day, clouds of foreboding set the mood: photo by Junk Male (borrowed_time), 22 December 2007



 
01760. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 5 December 2007
 

01765. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 7 December 2007



02155. this land: photo by Junk Male (borrowed_time), 28 March 2008


01766. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 8 December 2007


01776. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 10 December 2007




01730. concentrated cornish coloration hues: photo by Junk Male (borrowed_time), 28 November 2007




02209. this land... copse: photo by Junk Male (borrowed_time), 2 May 2008



01628. like a lamb growing into a world of wolves, i will trust until proven wrong: photo by Junk Male (borrowed_time), 29 November 2007


02115. We met this lovely old boy on the beach yesterday, we talked as the english do, about the weather, it was cold with brief showers, he said, in a broad Irish accent that he was there with his sister she was worried that he shouldn't be out when it was so cold, he then said "whats a drop of rain when you have had 90.000 germans trying to kill you", hahaha, wonderful old guy...: photo by Junk Male (borrowed_time), 10 March 2008



02117. Polkerris Bay...Cornwall: photo by Junk Male (borrowed_time), 10 March 2008


02164. this long and narrow land... Roche, Cornwall: photo by Junk Male (borrowed_time), 4 April 2008


02159. this long and narrow land... Roche, Cornwall: photo by Junk Male (borrowed_time), 31 March 2008




02200 [Untitled]: photo by Junk Male (borrowed_time), 22 April 2008


02224. hospice notes... the gardens: photo by Junk Male (borrowed_time), 14 May 2008


05069. this land... cornwall: photo by Junk Male (borrowed_time), 21 September 2008


 
01853. this long and narrow land... hampshire: photo by Junk Male (borrowed_time), 30 December 2007

Robert Creeley: Versions (after Hardy)

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02147. this land: photo by Junk Male (borrowed_time), 24 March 2008

..............after Hardy

Why would she come to him,
come to him,
in such disguise

to look again at him—
look again—
with vacant eyes—

and why the pain still,
the pain—
still useless to them—

as if to begin again—
again begin—
what had never been?

.

Why be
persistently
hurtful—
no truth
to tell
or wish to?
Why?

.

The weather's still grey
and the clouds gather
where they once walked
out together,

watched the world with
a faint happiness,
watched it die
in the same place.


Robert Creeley (1926-2005): Versions (after Hardy), from Mirrors, 1981



02072. coast: photo by Junk Male (borrowed_time), 22 February 2008

Blown Away

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Untitled: photo by robert holmgren (menlo), 7 March 2014



ephemeral as tinkerbell

unmoored yet not unmoved
tossed cloudward, flipped
 ...............sans volition
into the flow 

going but not wanting to go
without the other flotsam





Untitled: photo by robert holmgren (menlo), 6 March 2014

Juan Gil-Albert: La Siesta ("What is the Earth?")

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Highway 85, Arizona: photo by James S Patterson, 21 February 2014 

..................To Antonio Diaz Zamora

When I arrive at that secret confine
and they question me, “What is the Earth?”
I should say a cold place where the dictator overbears
and the oppressed cry long tears
and where, in shadows and gold teeth,
injustice does the rounds
taking up his profits from the men of property
and mankind’s permanent tragedy; it is a wasteland.
But again, I should have to say,
when in clear altering situations
the land exhales the somnolence
of not knowing the source of one’s fatigue,
when the blue sky pulses like an hallucination
and fruit follows fruit on the white tables
and great windows set ajar cool
in the semi-light, we seek out a bower
where we may fall beneath that soft weight.
It is then that I should tell them that the Earth
is an original happiness, an inward impulse,
like an unprecedented temptation,
composed both of ardour and renunciation,
a giving up and a giving in, a slow love potion.
 

Juan Gil-Albert (Alcoy, 1904-Valencia, 1994), La Siesta, from Obra poética completa, Pre-Textos, Valencia, 1981; English translation by John Stammers




Hampstead Pond, London, summer: photo by Kate Kirkwood, 10 July 2013


.................A Antonio Díaz Zamora
 
Si alguien me preguntara cuando un día
llegue al confín secreto : ¿qué es la tierra?
diría que un lugar en que hace frío
en el que el fuerte oprime, el débil llora,
y en el que como sombra, la injusticia,
va con su capa abierta recogiendo
el óbolo del rico y la tragedia
del desahuciado : un sitio abrupto.
Pero también diría que otras veces,
en claras situaciones alternantes,
cuando llega el estío y los países
parecen dispensar la somnolencia
de un no saber por qué se está cansado,
mientras vibra en lo alto, alucinante,
un cielo azul, los frutos se suceden
sobre las mesas blancas, y entornados
los ventanales, frescos de penumbra,
buscamos un rincón donde rendirnos
al dulce peso, entonces sí, diría
que la tierra es un bien irremplazable,
un fluido feliz, un toque absorto.
Como una tentación sin precedentes
hecha a la vez de ardor y de renuncia.
Una inmersión gustosa, un filtro lento.





01904 [Untitled]: photo by Junk Male (borrowed_time), 31 December 2007

Structure

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IMG_1963: photo by locaburg, 27 February 2014


You're driving slowly and with all due caution down a back street in a neighborhood you're unfamiliar with, when the incident occurs.




IMG_8128 (ladder): photo by locaburg, 9 November 2010

Ryszard Kapuściński: The Ukrainian Plan (from Imperium)

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File:Bread for a gold - A queue in Kharkiv 1932.jpg

Bread for gold: a queue in Kharkiv during the time of Great Famine: photographer unknown, 1932 (State Archive of Ukraine)


Historians explain the genocide in the Ukraine (and in the northern Caucasus) in various ways.  Russian historians see it as an instrument of the destruction of traditional society and the construction, in its place, of a formless, docile, half-enslaved mass of Homo sovieticus.  Ukrainian historians (among them Valentin Moroz) believe that Stalin's goal was to save the Imperium: the Imperium cannot exist without the Ukraine.  Yet the twenties witness a renascence of Ukrainian nationalistic ambition, which develops under the slogan "Far from Moscow!"  The main repository  of the Ukrainian spirit is the peasantry.  To break that spirit, Stalin must destroy the peasantry.  At the time, there were around thirty million Ukrainian peasants.  Technically, one could have annihilated a significant portion of them by building a network of gas chambers.  But that is an error Stalin did not commit.  He who builds gas chambers bears all the blame, brings the disgrace of being a murderer down upon himself.  Instead, Stalin saddled the victims of the crime with all the guilt for it:  You are dying of hunger because you do not want to work, because you do not see the advantages of the kolkhoz.  Furthermore, he complained, because of you the inhabitants of the cities are going hungry, women cannot nurse because they have no milk, children cannot go to school because they are too weak.

The Ukrainian countryside died in silence, isolated from the world, gnawing on the bark of trees and on the leather laces of its own shoes, looked upon with contempt by people from the cities, who stood in the streets in unending lines for bread.

Ryszard Kapuściński: from Pomona of the Little Town of Drohobych (1991), in Imperium, 1994


File:Famine Kharkov 1933.jpg

"Die Leichen der in den Straßen Charkovs Verhungerten erwecken anfangs Anteilnahme." ("The corpses in the streets of the Charkov at the beginning arouse the sympathy of the famished""): photo by Alexander Wienerberger, 1933, from "Muss Russland Hungern?"' ["Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna], 1935

File:HolodomorUcrania9.jpg

"Die Anteilnahme schwindet." ("The sympathy shrinks!"). Kharkiv, Ukraine: photo by Alexander Wienerberger, 1933, from "Muss Russland Hungern?'""[Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna], 1935

File:GolodomorKharkiv.jpg

Passers-by no longer pay attention to the corpses of starved peasants on a street in Kharkiv [Ukraine]: photo by Alexander Wienerberger, 1933, in Famine in the Soviet Ukraine, 1932-1933: a memorial exhibition, Widener Library, Harvard University; initially published in "Muss Russland Hungern?" ["Must Russia Starve?"], published by Wilhelm Braumüller, Wien [Vienna] 1935

http://upload.wikimedia.org/wikipedia/commons/6/60/Joseph_Stalin_and_Maxim_Gorky%2C_1931.jpg

Joseph Stalin and Maxim Gorky in Red Square, 1931: photo from Pravda, 1940; image by Eugene Zelenko, 13 April 2005


 Map of Holodomor (Ukrainian Famine/Genocide) of 1932-33.The Holodomor (literal translation Death by hunger) was a man-made famine in the Ukrainian SSR, part of the Soviet famine of 1932–1933. During the famine, which is also known as the "terror-famine in Ukraine" and "famine-genocide in Ukraine", millions of Ukrainians died of starvation in a peacetime catastrophe unprecedented in the history of Ukraine: photo by Oleksy (Alex) Tyazhkyy, 3 November 2008

Belated

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[Untitled]: photo by Hans Söderström, 30 October 2013



What to do if
it's all boarded up
when you get there





[Untitled]: photo by Hans Söderström, 1 December 2013

Party Animals

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Frescati backe: photo by Hans Söderström, 30 October 2013


The party animals all lay battered
and discarded
in the weeds and tall grass
with the party long since over

a lot of time would have to pass
with no one to notice it
before the march of progress
could begin again




 
animals # 5. Horse (Stockholm). This party animal didn't make it back to the stables: photo by Hans Söderström, 21 February 2008


Cheers! (Party animal, Srockholm): photo by Hans Söderström, 18 March 2011
 

Untitled (Stockholm): photo by Hans Söderström, 2 November 2013
 


Untitled (Stockholm): photo by Hans Söderström, 2 September 2013



Untitled (Shop window dog, Stockholm): photo by Hans Söderström, 20 June 2013

Ladybug

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File:Coccinella transversalis 2.jpg

Transverse Ladybird (Coccinella transversalis), Austins Ferry, Tasmania: photo by JJ Harrison, 27 August 2009


The ladybug I clumsily tried to rescue
But crushed under the window sill today
Isn't going to get over it

Did I suppose
Upon this well meant intervention
I
t would gratefully fly off homeward

Strange reward
Beautiful things ought to be left alone
In a natural state



File:Psyllobora.vigintiduopunctata.6920.jpg
 
A 22-spot yellow-punctuated ladybird (Psyllobora vigintiduopunctuata), Dresden, Lower Saxony: photo by Olaf Leillinger, 25 September 2005
 
File:Ladybird coccinella septempunctata.jpg

Seven-spot Ladybird (Coccinella septempunctuata), Oxfordshire: photo by Charlesjsharp, 18 October 2013

William Blake: Reeds of Innocence

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reeds 7 #16 (kent): photo by chrisfriel, 13 March 2014


Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:

'Pipe a song about a Lamb!'
So I piped with merry cheer.
'Piper, pipe that song again;'
So I piped: he wept to hear.

'Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!'
So I sung the same again,
While he wept with joy to hear.

'Piper, sit thee down and write
In a book that all may read.'
So he vanish'd from my sight;
And I pluck'd a hollow reed,

And I made a rural pen,
And I stain'd the water clear,
And I wrote my happy songs
Every child may joy to hear.


WilliamBlake (1757-1827): Introduction to Songs of Innocence (1789-1795)




reeds 2 #528 (kent): photo by chrisfriel, 22 January 2014
 

reeds 4 #236 (kent): photo by chrisfriel, 22 January 2014
 

130214 #98 (lake, winter): photo by chrisfriel, 10 February 2014
 

lake 2 #14: photo by chrisfriel, 13 February 2014
 

  wave 14 #634: photo by chrisfriel, 27 February 2014
 

  wave 14 #746 (beach, kent): photo by chrisfriel, 27 January 2014
 

  wave 10 #528 (kent): photo by chrisfriel, 27 January 2014
 

  fire 1 #73: photo by chrisfriel, 14 March 2014

John Ashbery: They Dream Only of America

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water tower over tennis court: photo by Clayton Percy, 7 March 2014


They dream only of America 
To be lost among the thirteen million pillars of grass: 
"This honey is delicious 
Though it burns the throat." 

And hiding from darkness in barns 
They can be grownups now 
And the murderer's ashtray is more easily -- 
The lake a lilac cube. 

He holds a key in his right hand.
"Please," he asked willingly.
He is thirty years old.  
That was before 

We could drive hundreds of miles 
At night through dandelions. 
When his headache grew worse we 
Stopped at a wire filling station. 

Now he cared only about signs. 
Was the cigar a sign? 
And what about the key? 
He went slowly into the bedroom. 

"I would not have broken my leg if I had not fallen 
Against the living room table. What is it to be back
Beside the bed? There is nothing to do 
For our liberation, except wait in the horror of it. 

And I am lost without you."


John Ashbery: They Dream Only of America, from The Partisan Review, Summer 1959; reprinted in The Tennis Court Oath, 1962


 


foot of the water tower night: photo by Clayton Percy, 7 March 2014



  base of the tower, no parking. a quieter view true to the nature of the place: photo by Clayton Percy, 7 March 2014

Not Wading but Sinking

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Stalker (Orebro, Sweden): photo by Isaac Cordal, 7 June 2013


That sinking feeling
The business lunch
Heavy on the lap --
Small knoblike men
Gripping power briefcases --
Inertia of the social mass
Lapped by fetid waters --
Wading amid toxin
Saturated weeds --

Zombified -- floating sacs --
Playdough bodies --
Moving in lemming packs
Through dead cities
Toward inevitable collapse
 




Fragments of Titanic (Pontevedra, Galicia)
: photo by Isaac Cordal, 16 January 2012


Follow the leader (London): photo by Isaac Cordal, 4 October 2010


Electoral campaign (Gandermarkt, Berlin): photo by Isaac Cordal,April 2011



Cement eclipses (Berlin): photo by Isaac Cordal, 26 August 2011



Untitled (Brussels): photo by Isaac Cordal, 13 February 2012
 


Follow the leader (Nieuwport, Belgium)
: photo by Isaac Cordal, 17 March 2012



The corporation (Nieuwport, Belgium): photo by Isaac Cordal, 6 March 2012



La otra frontera (Montebello, Chiapas, Mexico): photo by Isaac Cordal, 10 November 2013



Open Art (Orebro, Sweden): photo by Isaac Cordal, 8 February 2013



Afloat (Nantes, France): photo by Isaac Cordal, 14 July 2013

Product Placement

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Posters #33 (Düsseldorf): photo by Manfred Geyer (beauty of all things), 16 May 2007


As the rip in the screen
the tear in the curtain
the edge of the frame
permits you to see
once again
through the fabrication
to the reality
the window that opens
upon the greater deception
hidden
at the bottom of the bin



 
Posters #32 (Düsseldorf): photo by Manfred Geyer (beauty of all things), 16 May 2007


 Posters #31 (Düsseldorf): photo by Manfred Geyer (beauty of all things), 16 May 2007


  Posters #7: photo by Manfred Geyer (beauty of all things), 26 September 2004



  Posters #8: photo by Manfred Geyer (beauty of all things), 13 May 2005



Vertellerkästen #21: photo by Manfred Geyer (beauty of all things), 14 January 2006




  Posters #13 (Bochum): photo by Manfred Geyer (beauty of all things), 4 November 2005


  Posters #15 (Bochum): photo by Manfred Geyer (beauty of all things), 4 November 2005
 


Posters #14 (Bochum): photo by Manfred Geyer (beauty of all things), 4 November 2005


Vertellerkästen #26: photo by Manfred Geyer (beauty of all things), 12 February 2006
 

  Stops #2 (Duisburg): photo by Manfred Geyer (beauty of all things), 9 August 2007



 Posters #25 (Aachen): photo by Manfred Geyer (beauty of all things), 13 May 2013

Commercial Opportunities

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Cash for Pallets (Oakland): photo by efo, 23 March 2014

Makeup of a business opportunity


A business opportunity consists of four integrated elements all of which are to be present within the same timeframe (window of opportunity) and most often within the same domain or geographical location, before it can be claimed as a business opportunity. These four elements are:
  • A need
  • The means to fulfill the need
  • A method to apply the means to fulfill the need and;
  • A method to benefit
With any one of the elements missing, a business opportunity may be developed, by finding the missing element. The more unique the combination of the elements, the more unique the business opportunity. The more control an institution (or individual) has over the elements, the better they are positioned to exploit the opportunity and become a niche market leader.

-- Wikipedia




Primos Autosales (Vallejo, California): photo by efo, 21 January 2014
 

Times Square: photo by robert holmgren (menlo), 12 April 2013
 

Flew in from Miami Beach, BOAC (Lennox, California): photo by michaelj1998, 21 March 2014
 

Smile (Los Angeles, California): photo by michaelj1998, 14 March 2014
 

Ying Yang (Los Angeles, California): photo by michaelj1998, 20 February 2014
 


Portland: photo by Austin Granger, 21 March 2014


Portland: photo by Austin Granger, 7 March 2014



Delicious Texas Pit BBQ & Catering, Portland: photo by Austin Granger, 7 March 2014
 

 Portland, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), July 2013
 

 Portland, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), 12 July 2013
 

  St. Helens, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), June 2013
 


 Fossil, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), July 2013
 

Portland, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), August 2013
 

  Portland, Oregon: photo by Jorge Guadalupe Lizárraga (el zopilote), August 2013
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