.
Untitled: photo by Joshua Perez (StrangeGoodness), 24 July 2013
You see
................the electronic
.............................. .meshing
in the human being
................assume a
.............................. .scattershot
aspect, yet
................engaging
.............................. .the world
with an
................interest perhaps
with an
................interest perhaps
.............................. .greater
for being
................random
................random
.............................. .alighting on
doorknobs
................that must
.............................. .be painted
seeing that
................the newspaper
.............................. .would be better off
red, it is
................old age
.............................. .the second
childhood
................in which the
.............................. .limbs are brittle
not doughy
................yet sing
.............................. .with their stiff
lineaments
................the random currents
.............................. .of each precious
moment passing
................into the larger
.............................. .mystery
and away
Aram Saroyan: Old People, from Open Field Suite, 1998
Untitled: photo by Joshua Perez (StrangeGoodness), 31 October 2012
Untitled: photo by Joshua Perez (StrangeGoodness), 7 July 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 17 September 2012
Untitled: photo by Joshua Perez (StrangeGoodness), 14 August 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 24 August 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 24 August 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 13 September 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 14 August 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 6 April 2013
Untitled: photo by Joshua Perez (StrangeGoodness), 30 October 2013