.
Stellar encore: Dying star keeps coming back big time.: image via AP Images @AP_Images, 8 November 2017
Stellar encore: Dying star keeps coming back big time: Marcia Dunn, AP, 8 November 2017
CAPE CANAVERAL, Fla. (AP) — Death definitely becomes this star.
Astronomers reported Wednesday on a massive, distant star that exploded in 2014 — and also, apparently back in 1954. This is one supernova that refuses to bite the cosmic dust, confounding scientists who thought they knew how dying stars ticked.
The oft-erupting star is 500 million light-years away — one light-year is equal to 5.9 trillion miles (9.5 trillion kilometers) — in the direction of the Big Bear constellation. It was discovered in 2014 and, at the time, resembled your basic supernova that was getting fainter.
But a few months later, astronomers at the California-based Las Cumbres Observatory saw it getting brighter. They’ve seen it grow faint, then bright, then faint again five times. They’ve even found past evidence of an explosion 60 years earlier at the same spot.
Supernovas typically fade over 100 days. This one is still going strong after 1,000 days, although it’s gradually fading.
The finding was published Wednesday in the journal Nature. Nature .
“It’s very surprising and very exciting,” said astrophysicist Iair Arcavi of the University of California, Santa Barbara who led the study. “We thought we’ve seen everything there is to see in supernovae after seeing so many of them, but you always get surprised by the universe. This one just really blew away everything we thought we understood about them.”
The supernova — officially known as iPTF14hls — is believed to have once been a star up to 100 times more massive than our sun. It could well be the biggest stellar explosion ever observed, which might explain its death-defying peculiarity.
It could be multiple explosions occurring so frequently that they run into one another or perhaps a single explosion that repeatedly gets brighter and fainter, though scientists don’t know exactly how this happens.
One possibility is that this star was so massive, and its core so hot, that an explosion blew away the outer layers and left the center intact enough to repeat the entire process. But this pulsating star theory still doesn’t explain everything about this supernova, Arcavi said.
Harvard University’s astronomy chairman, Avi Loeb, who was not involved in the study, speculates a black hole or magnetar — a neutron star with a strong magnetic field — might be at the center of this never-before-seen behavior. Further monitoring may better explain what’s going on, he said.
Las Cumbres, a global network of robotic telescopes, continues to keep watch.
Scientists do not know whether this particular supernova is unique; it appears rare since no others have been detected.
“We could actually have missed plenty of them because it kind of masquerades as a normal supernova if you only look at it once,” Arcavi said.
Nothing lasts forever — not even this super supernova.
“Eventually, this star will go out at some point,” Arcavi said. “I mean, energy has to run out eventually.”
Stellar encore: Dying star keeps coming back big time.: image via AP Images @AP_Images, 8 November 2017
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GHOST IN THE SHELL What looked like an ordinary supernova, shown in this artist’s illustration, might be the result of a single star exploding at least three times, blowing off expanding shells of gas each time.: image via NASA, ESA, G. Bacon/STSci, 8 November 2017
Energetic eruptions leading to a peculiar hydrogen-rich explosion of a massive star: I. Arcavi et al., Nature 551, 9 November 2017
Every supernova so far observed has been considered to be the terminal explosion of a star. Moreover, all supernovae with absorption lines in their spectra show those lines decreasing in velocity over time, as the ejecta expand and thin, revealing slower-moving material that was previously hidden. In addition, every supernova that exhibits the absorption lines of hydrogen has one main light-curve peak, or a plateau in luminosity, lasting approximately 100 days before declining. Here we report observations of iPTF14hls, an event that has spectra identical to a hydrogen-rich core-collapse supernova, but characteristics that differ extensively from those of known supernovae. The light curve has at least five peaks and remains bright for more than 600 days; the absorption lines show little to no decrease in velocity; and the radius of the line-forming region is more than an order of magnitude bigger than the radius of the photosphere derived from the continuum emission. These characteristics are consistent with a shell of several tens of solar masses ejected by the progenitor star at supernova-level energies a few hundred days before a terminal explosion. Another possible eruption was recorded at the same position in 1954. Multiple energetic pre-supernova eruptions are expected to occur in stars of 95 to 130 solar masses, which experience the pulsational pair instability. That model, however, does not account for the continued presence of hydrogen, or the energetics observed here. Another mechanism for the violent ejection of mass in massive stars may be required.
Stellar encore: Dying star keeps coming back big time.: image via AP Images @AP_Images, 8 November 2017
Edward Sanders
11:56 AM (7 hours ago)
Miriam and I took the bus to NYC for the Memorial.
It was quite packed and full of a wide variety of lovers of her and her poetry.
It was quite packed and full of a wide variety of lovers of her and her poetry.
In Praise and Memory of Joanne Kyger
Joanne Joanne
You came to a party
at the Peace Eye Bookstore
on East 10th
in July of ’67
fresh from a visit to Europe
You were radiant and beautiful
standing near Julius Orlovsky and Tom Clark
Always those years
we referred to you as
Kyger Kyger burning bright
in the forests of the night.
For decade ’pon decade
I was amazed at your poetry!
We visited you in Bolinas
over the years
where you were very active in town affairs
and wrote for the Bolinas Hearsay News
You helped protect your oceanside village
from excess development.
Later when we toured Italy together
in your hotel rooms
you always set up a Buddhist shrine
with holy items and images and incense to burn
We exchanged many emails for years
all the way to your final months
when you shielded your health from
much of the world
Your books shine brightly
—a fine stack of them
glowing in our living room
Kyger Kyger Burning Bright.
Ed Sanders
Nov. 2, 2017, for Memorial
reading at St. Mark’s Church
Miriam Remembers Joanne Kyger
She loved the beautiful things
you could find in the natural world
She would arrange
beautiful items she would find
in natural places when we toured together
—minerals, pods
whatever was in the environment at hand
for her traveling altars
in her rooms
She was witty, funny, easy going
non-judgmental
fun to be with
She sent me
2 million year old fossil
sand dollars
from the beach in Bolinas
and she sent a slice of black obsidian
that looked like when you cut off a slice of
cranberry sauce, only black
I sent her back a black pegmatite specimen
from a road cut above Boulder
and also she sent me
beautiful pods
which I could never identify,
maybe lotus, from her travels.
—dictated on the bus to NYC
for Joanne’s Memorial, 11-6-17
Untitled: photo by Matt Gomes, 7 January 2015
Untitled: photo by Matt Gomes, 7 January 2015
Untitled: photo by Matt Gomes, 7 January 2015
Prefata dupu Dumas.25. Sfîntu Georghe, Delta Dunaril, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,24 July 2017
Prefata dupu Dumas.25. Sfîntu Georghe, Delta Dunaril, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,24 July 2017
Prefata dupu Dumas.25. Sfîntu Georghe, Delta Dunaril, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,24 July 2017
Prefata dupu Dumas.17. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
Prefata dupu Dumas.17. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
Prefata dupu Dumas.17. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
Prefata dupu Dumas.16. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
Prefata dupu Dumas.16. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
Prefata dupu Dumas.16. Lacul Iacobdeal, Dobrogea, iulie 2017. [Bulgaria]: photo by Serpas însetatde zapezile Everestului,23 July 2017
izmirnoire [Izmir, Turkey]: photo by anilaydn, 28 March 2015
izmirnoire [Izmir, Turkey]: photo by anilaydn, 28 March 2015
izmirnoire [Izmir, Turkey]: photo by anilaydn, 28 March 2015
Untitled [Chengdu, China]: photo by LarryH., 11 October 2014
Untitled: photo by Thahnam, 10 May 2017
Untitled: photo by Thahnam, 10 May 2017
Untitled: photo by Thahnam, 10 May 2017
Spiriti Sanctus, Cuba: photo by hüseyin aldrirmaz, 4 May 2017
Untitled [Milan]: photo by STUART PATON, 16 October 2017
Untitled [Milan]: photo by STUART PATON, 16 October 2017
Untitled [Milan]: photo by STUART PATON, 16 October 2017
Oslo 2017: photo by Pau Buscató, sometime in 2017
Untitled [Madrid]: photo by Gustavo Gomes, 13 July2017
Untitled [Madrid]: photo by Gustavo Gomes, 13 July2017
Untitled[Madrid]: photo by Gustavo Gomes, 13 July2017
Untitled [Rome]: photo by Matteo Zannoni, 19 March 2016
Untitled [Manhattan]: photo by Todd Gross, 30 October 2017
Untitled [Manhattan]: photo by Todd Gross, 30 October 2017
Untitled [Manhattan]: photo by Todd Gross, 30 October 2017
Untitled: photo by(aiche), 25 October 2017
Untitled: photo by(aiche), 25 October 2017
Untitled: photo by(aiche), 25 October 2017
rakher upobash_barodi 2017 [Bangladesh]: photo by md saiful amin kazal, 4 November 2017
rakher upobash_barodi 2017 [Bangladesh]: photo by md saiful amin kazal, 4 November 2017
rakher upobash_barodi 2017 [Bangladesh]: photo by md saiful amin kazal, 4 November 2017
Dave Heath, Photographer of Isolation, Dies at 85. Dave was a teacher, a mentor and one of the great street photographers of the 20th century. He taught at the Dayton Art Institute in 1964/65 where I attended DAI at the time and the same year his first book was published "A Dialog With Solitude." I saved my lunch money for a month to purchase the book he then signed for me.: photo by Dominic Ciancibelli, 8 July 2016
São Paulo, Brazil, 2015: photo by Luis Miguel Carlos Manchola, 27 December 2015
São Paulo, Brazil, 2015: photo by Luis Miguel Carlos Manchola, 27 December 2015
São Paulo, Brazil, 2015: photo by Luis Miguel Carlos Manchola, 27 December 2015
Man and Dog, Down on the River, Iquitos. The village of Belen in Iquitos Peru is flooded for several months each year. [Punchana, Loreto Province, Peru]: photo by Geraint Rowland, 28 April 2016
Man and Dog, Down on the River, Iquitos. The village of Belen in Iquitos Peru is flooded for several months each year. [Punchana, Loreto Province, Peru]: photo by Geraint Rowland, 28 April 2016
Man and Dog, Down on the River, Iquitos. The village of Belen in Iquitos Peru is flooded for several months each year. [Punchana, Loreto Province, Peru]: photo by Geraint Rowland, 28 April 2016
Edinburgh-8430. Council Housing Edinburgh.: photo by Rose Vandepitte, 1 September 2017
Edinburgh-8430. Council Housing Edinburgh.: photo by Rose Vandepitte, 1 September 2017
Edinburgh-8430. Council Housing Edinburgh.: photo by Rose Vandepitte, 1 September 2017
Vladimir Nabokov: Caravansary
16 degrees and all is well: Blue Swallow Motel, Tucumcari, New Mexico: photo by dv over dt (Tim Anderson), 2 January 2013
I remember as a child in Europe gloating over a map of North America that had "Appalachian Mountains" boldly running from Alabama up to New Brunswick, so that the whole region they spanned -- Tennessee, the Virginias, Pennsylvania, New York, Vermont, New Hampshire and Maine, appeared to my imagination as a gigantic Switzerland or even Tibet, all mountain, glorious diamond peak upon peak, giant conifers, le montagnard émigré in his bear skin glory, and Felis tigris goldsmithi, and Red Indians under the catalpas. That it all boiled down to a measly suburban lawn and a smoking garage incinerator, was appalling. Farewell, Appalachia! Leaving it, we crossed Ohio, the three states beginning with "I," and Nebraska -- ah, the first whiff of the West!
See America: Alexander Dux, c. 1936-1939 (WPA Federal Art Project/Library of Congress)
We travelled very leisurely, more than a week to reach Wace, Continental Divide, where she passionately desired to see the Ceremonial Dances marking the season opening of Magic Cave, and at least three weeks to reach Elphinstone, gem of a western state where she yearned to climb Red Rock from which a mature screen star had recently jumped to her death after a drunken row with her gigolo.
The National Parks Preserve Wild Life: Bighorn Sheep: J. Hirt, 1939 (Dept. of Interior/National Park Service/Library of Congress)
Again we were welcomed to wary motels by means of inscriptions that read:
"We wish you to feel at home while here. All equipment was carefully checked upon your arrival. Your license number is on record here. We reserve the right to eject without notice any objectionable person. Do not throw waste material of any kind in the toilet bowl. Thank you. Call again. The management. P.S. We consider our guests the Finest People of the World."
See America: Frank S. Nicholson, c. 1936-1938 (WPA Federal Art Project/Library of Congress)
In these frightening places we paid ten for twins, flies queued outside at the screenless door and successfully scrambled in, the ashes of our predecessors still lingered on the ashtrays, a woman's hair lay on the pillow, one heard one's neighbor hanging his coat in a closet, the hangers were ingeniously fixed to their bars by coils of wire so as to thwart theft, and, in crowning insult, the pictures above the twin beds were identical twins. I also noticed that commercial fashion was changing. There was a tendency for cabins to fuse and gradually form the caravansary, and lo (she was not interested but the reader may be), a second story was added, and a lobby grew in, and cars were removed to a communal garage, and the motel reverted to the good old hotel.
Vladimir Nabokov (1899-1977): fromLolita, 1955
See America: Alexander Dux, c. 1936-1939 (WPA Federal Art Project/Library of Congress)
We travelled very leisurely, more than a week to reach Wace, Continental Divide, where she passionately desired to see the Ceremonial Dances marking the season opening of Magic Cave, and at least three weeks to reach Elphinstone, gem of a western state where she yearned to climb Red Rock from which a mature screen star had recently jumped to her death after a drunken row with her gigolo.
Grand Canyon: artist unknown, c. 1938 (Dept. of Interior/National Park Service/Library of Congress)
The National Parks Preserve Wild Life: Bighorn Sheep: J. Hirt, 1939 (Dept. of Interior/National Park Service/Library of Congress)
Again we were welcomed to wary motels by means of inscriptions that read:
"We wish you to feel at home while here. All equipment was carefully checked upon your arrival. Your license number is on record here. We reserve the right to eject without notice any objectionable person. Do not throw waste material of any kind in the toilet bowl. Thank you. Call again. The management. P.S. We consider our guests the Finest People of the World."
Yellowstone: artist unknown, 1938 (Dept. of Interior/National Park Service/Library of Congress)
Zion National Park: artist unknown, c. 1938 (Dept. of Interior/National Park Service/Library of Congress)
See America: Frank S. Nicholson, c. 1936-1938 (WPA Federal Art Project/Library of Congress)
Vladimir Nabokov (1899-1977): fromLolita, 1955
'tis the seasons: Seasons Motel, Washington state: photo by mighty grand poova (Jeremy Quist), 10 December 2012
Vladimir Nabokov: Vacationlands (Side Door)
Dixie National Forest, Panguitch, Utah (Crown Graphic, Type 79, expired 03-2009): photo by moominsean, 11 October 2010
Distant mountains.
Chiriaco Summit, Arizona (Crown Graphic, Type 79, expired 02-2004): photo by moominsean, i August 2011
Near mountains.
Rimforest, California (Crown Graphic, Fuji FP-100C45): photo by moominsean, 3 November 2011
More mountains; bluish beauties never attainable, or ever turning into inhabited hill after hill; south-eastern ranges, altitudinal failures as alps go; heart and sky-piercing snow-veined gray colossi of stone, relentless peaks appearing from nowhere at a turn of the highway; timbered enormities, with a system of neatly overlapping dark firs, interrupted in places by pale puffs of aspen; pink and lilac formations, Pharaonic, phallic, "too prehistoric for words" (blasé Lo); buttes of black lava; early spring mountains with young-elephant lanugo along their spines; end-of-the-summer mountains, all hunched up, their heavy egyptian limbs folded under folds of tawny moth-eaten plush; oatmeal hills, flecked with green round oaks; a last rufous mountain with a rich rug of lucerne at its foot...
Chiriaco Summit, Arizona (Crown Graphic, Type 79, expired 02-2004): photo by moominsean, i August 2011
Near mountains.
Rimforest, California (Crown Graphic, Fuji FP-100C45): photo by moominsean, 3 November 2011
Rain, Panguitch, Utah (Crown Graphic, Type 79, expired 03-2009): photo by moominsean, 11 October 2010
Abandoned tanks, Bisbee, Arizona (Crown Graphic, Type 59, expired 02-2006): photo by moominsean, 29 August 2010
Abandoned convenience store, Picacho Peak, Arizona (Crown Graphic, Type 53, expired 03-1995): photo by moominsean, 29 August 2010
Our twentieth Hell's Canyon. Our fiftieth Gateway tosomething or other fide that tour book, the cover of which had been lost by that time. Always the same three old men, in hats and suspenders, idling away the summer afternoon under the trees near the public fountain. A hazy blue view beyond railings on a mountain pass, and the backs of a family enjoying it (with Lo, in a hot, happy, wild, intense, hopeful, hopeless whisper -- "Look, the McCrystals, please, let's talk to them, please" -- let's talk to them, reader! -- please! I'll do anything you want, oh, please ...").
VladimirNabokov (1899-1977): from Lolita (1955)
Grand Canyon (North Rim), Arizona (Crown Graphic, Type 53, expired 03-2009): photo by moominsean, 7 October 2010
Storm, Panguitch, Utah (Crown Graphic, Type 89, expired 02-2006): photo by moominsean, 11 October 2010
Rain, Panguitch, Utah (Crown Graphic, Type 58, expired 04-1993): photo by moominsean, 11 October 2010
Storm, House Rock Valley, Arizona (Crown Graphic, Type 79, expired 03-2009): photo by moominsean, 11 October 2010
Monsoon, Phoenix, Arizona (Crown Graphic, Type 64, expired 06-2004): photo by moominsean, 31 July 2010
Monsoon, Phoenix, Arizona (Crown Graphic, Type 64, expired 06-2004): photo by moominsean, 31 July 2010
Monsoon, Phoenix, Arizona (Crown Graphic, Type 58, expired 04-1993): photo by moominsean, 31 July 2010
Yarnell, Arizona (Crown Graphic, Type 79, expired 03-2009): photo by moominsean, 1 August 2011
Side Door
Person with a migraine headache: photo by Sasha Wolf, 14 December 2008
VladimirNabokov (1899-1977): from Lolita, 1955
Vladimir Nabokov: Night Train
Train station with train and coal depot: photo by Gustave Le Gray, n.d.: scanned by Uno Lindstrom, 2006 (Victor von Gegerfelt Collection)
It was at night that the Compagnie Internationale des Wagons-Lits et des Grands Express Européene lived up to the magic of its name. From my bed under my brother's bunk (Was he asleep? Was he there at all?), in the semidarkness of our compartment, I watched things, and parts of things, and shadows, and sections of shadows cautiously moving about and getting nowhere. The woodwork gently creaked and crackled. Near the door that led to the toilet, a dim garment on a peg and, higher up, the tassel of the blue, bivalved nightlight swung rhythmically. It was hard to correlate those halting approaches, that hooded stealth, with the headlong rush of the outside night, which I knew was rushing by, spark-streaked, illegible.
I would put myself to sleep by the simple act of identifying myself with the engine driver. A sense of drowsy well-being invaded my veins as soon as I had everything nicely arranged -- the carefree passengers in their rooms enjoying the ride I was giving them, smoking, exchanging knowing smiles, nodding, dozing; the waiters and cooks and train guards (whom I had to place somewhere) carousing in the diner; and myself, goggled and begrimed, peering out the engine cab at the tapering track, at the ruby or emerald point in the black distance. And then, in my sleep, I would see something totally different -- a glass marble rolling under a grand piano or a toy engine lying on its side with its wheels still working gamely.
A change in the speed of the train sometimes interrupted the current of my sleep. Slow lights were stalking by; each, in passing, investigated the same chink, and then a luminous compass measured the shadows. Presently, the train stopped with a long-drawn Westinghousian sigh. Something (my brother's spectacles, as it proved next day) fell from above. It was marvelously exciting to move to the foot of one's bed, with part of the bedclothes following, in order to undo cautiously the catch of the window shade, which could be made to slide only halfway up, impeded as it was by the edge of the upper berth.
Like moons around Jupiter, pale moths revolved about a lone lamp. A dismembered newspaper stirred on a bench. Somewhere on the train one could hear muffled voices, somebody's comfortable cough. There was nothing particularly interesting in the portion of station platform before me, and still I could not tear myself away from it until it departed on its own accord.
Next morning, wet fields with misshapen willows along the radius of a ditch or a row of poplars afar, traversed by a horizontal band of milk-white mist, told one that the train was spinning through Belgium.
The Gare d'Argenteuil: Claude Monet, 1872 (Musée Tavet-Delacour / Musée de Luzarches, Conseil général de Val d'Oise) Vladimir Nabokov (1899-1977): fromSpeak, Memory (1951)
Karl Marx, Vladimir Lenin and Mikhail Gorbachev
dolls [Rome]: photo by fabcat, 22 September 2016
dolls [Rome]: photo by fabcat, 22 September 2016
B U L G A R I A "Wanderings and Encounters"51/85 [Plovdiv, Bulgaria]: photo by Pierre Gély-Fort, 5 March 2017
B U L G A R I A "Wanderings and Encounters"51/85 [Plovdiv, Bulgaria]: photo by Pierre Gély-Fort, 5 March 2017
B U L G A R I A "Wanderings and Encounters"69/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"69/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"73/85 [Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 9 March 2017
Life Impressions 30/66 [Rustavi, Georgia]: photo by Pierre Gély-Fort, 6 May 2016
Life Impressions 30/66 [Rustavi, Georgia]: photo by Pierre Gély-Fort, 6 May 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
I would put myself to sleep by the simple act of identifying myself with the engine driver. A sense of drowsy well-being invaded my veins as soon as I had everything nicely arranged -- the carefree passengers in their rooms enjoying the ride I was giving them, smoking, exchanging knowing smiles, nodding, dozing; the waiters and cooks and train guards (whom I had to place somewhere) carousing in the diner; and myself, goggled and begrimed, peering out the engine cab at the tapering track, at the ruby or emerald point in the black distance. And then, in my sleep, I would see something totally different -- a glass marble rolling under a grand piano or a toy engine lying on its side with its wheels still working gamely.
B U L G A R I A "Wanderings and Encounters"11/85 [Pirdop, Sofiya, Bulgaria]: photo by Pierre Gély-Fort, 14 March 2017
A change in the speed of the train sometimes interrupted the current of my sleep. Slow lights were stalking by; each, in passing, investigated the same chink, and then a luminous compass measured the shadows. Presently, the train stopped with a long-drawn Westinghousian sigh. Something (my brother's spectacles, as it proved next day) fell from above. It was marvelously exciting to move to the foot of one's bed, with part of the bedclothes following, in order to undo cautiously the catch of the window shade, which could be made to slide only halfway up, impeded as it was by the edge of the upper berth.
Like moons around Jupiter, pale moths revolved about a lone lamp. A dismembered newspaper stirred on a bench. Somewhere on the train one could hear muffled voices, somebody's comfortable cough. There was nothing particularly interesting in the portion of station platform before me, and still I could not tear myself away from it until it departed on its own accord.
Next morning, wet fields with misshapen willows along the radius of a ditch or a row of poplars afar, traversed by a horizontal band of milk-white mist, told one that the train was spinning through Belgium.
Karl Marx, Vladimir Lenin and Mikhail Gorbachev
_MG_0629s: photo by Ilya Shtutsa, 22 February2016
Karl Marx, Vladimir Lenin and Mikhail Gorbachev. Kotlas, Arkhangelsk Region, Russia, 2017: photo by Emil Gataullin, 23September 2017
L1180704-paris2017: photo by Emil Gataullin, 5 November 2017
DSCF4069 [Romania]: photo by Marina Koryakin, 17 October 2017
DSCF4069 [Romania]: photo by Marina Koryakin, 17 October 2017
DSCF4069 [Romania]: photo by Marina Koryakin, 17 October 2017
dolls [Rome]: photo by fabcat, 22 September 2016
dolls [Rome]: photo by fabcat, 22 September 2016
dolls [Rome]: photo by fabcat, 22 September 2016
dolls [Rome]: photo by fabcat, 22 September 2016
B U L G A R I A "Wanderings and Encounters"49/85 [Kazanluk, Stara Zagora, Bulgaria]: photo by Pierre Gély-Fort, 6 March 2017
B U L G A R I A "Wanderings and Encounters"49/85 [Kazanluk, Stara Zagora, Bulgaria]: photo by Pierre Gély-Fort, 6 March 2017
B U L G A R I A "Wanderings and Encounters"49/85 [Kazanluk, Stara Zagora, Bulgaria]: photo by Pierre Gély-Fort, 6 March 2017
B U L G A R I A "Wanderings and Encounters"51/85 [Plovdiv, Bulgaria]: photo by Pierre Gély-Fort, 5 March 2017
B U L G A R I A "Wanderings and Encounters"51/85 [Plovdiv, Bulgaria]: photo by Pierre Gély-Fort, 5 March 2017
B U L G A R I A "Wanderings and Encounters"51/85 [Plovdiv, Bulgaria]: photo by Pierre Gély-Fort, 5 March 2017
B U L G A R I A "Wanderings and Encounters"69/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"69/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"69/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"73/85 [Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"73/85 [Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"73/85 [Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Elenovo, Blagoevgrad, Bulgaria]: photo by Pierre Gély-Fort, 3 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"80/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 8 March 2017
B U L G A R I A "Wanderings and Encounters"79/85 [Trojan, Lovech, Bulgaria]: photo by Pierre Gély-Fort, 9 March 2017
Life Impressions 30/66 [Rustavi, Georgia]: photo by Pierre Gély-Fort, 6 May 2016
Life Impressions 30/66 [Rustavi, Georgia]: photo by Pierre Gély-Fort, 6 May 2016
Life Impressions 30/66 [Rustavi, Georgia]: photo by Pierre Gély-Fort, 6 May 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
Street Impressions 17/51 [Havana]: photo by Pierre Gély-Fort, 15 February 2016
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image viaMohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image viaMohammed Badra @badramamet, 5 November 2017
Extraction of fuel and organic manure from the rubbish and broken plastic #Douma @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017
People started using their wooden furniture to use for cooking and warmth #Douma. eastern al-Ghouta, #Syria @epaphotos: image via Mohammed Badra @badramamet, 5 November 2017