.
Don't say "There aint no Maat": drawing by Ed Sanders, 17 April 2017
Don't say "There aint no Maat": drawing by Ed Sanders, 17 April 2017
Minnie Pearl
described driving
to a show with Hank Williams
& the car was singing
“I Saw the Light”
till Hank asked them to stop,
“cause there ain’t no light”
& this morning
I read Joanne Kyger’s poem:
“Don’t worry you’ll never be happy thank god,
lulled into that fake state of contentment
when we all know it’s a war
against those believers in evil
Every time I sit out here alone
I start to whine about reality”
July 18, 2003
—from The Distressed Look 2004
4-7-17
Thanks to Tom and Angelica Clark
for reprinting Joanne’s poem in their daily report
Weighing of the heart scene, with Ammit sitting: page from the Book of the Dead of Hunefer: unknown Theban artisan, 19th Dynasty, c. 1300 BCE.: image by Jon Bodsworth, 8 December 2007 (British Museum)
Poet and Egyptologist Ed Sanders has devoted his life to the scribal calling.It is not hard to divine the source of his interest in the goddess Ma'at. Ma'at represents justice. For as long as I have known him, Ed has been singular among the poets in his activity as a justice warrior.
A papyrus from the Book of the Dead in the Egyptian Archive of the British Museum tells the story of the scribe Hunefer in the waiting room of the afterlife: of how his fate hangs in the balance as his heart is weighed against a feather upon the scales of Ma'at, the scales of eternal justice, by the jackal-headed god Anubis.
Hunefer's heart resides, during this transitional period of judgment, inside the small pot on the scale tray to the left, in the illustration above; on the scale tray to the right, we see the feather of Ma'at, or Rectitude. The emotional, intellectual and moral history of Hunefer has been distilled into the contents of the pot. There is no longer any chance of bargaining, negotiating or doing a deal. The finite game of mortal life, with all its little white lies perpetrated in the desperate attempt to keep the game going, is now over for the scribe; the game of infinity, with its very different set of rules, has begun.
Anubis leads Hunefer by the hand into the zone of judgment, and oversees the weighing; the drama is all in the moment for Hunefer, as Ammit the Devourer, also known as the Bone-Eater, not a goddess but more like a terminal custodian of justice, her features a composite of those creatures most feared, the dog, the crocodile, the hippopotamus, crouches beneath the scales, ready to scarf up the heart of Hunefer should the faintest trace of wickedness, a blemish greater than a feather's weight, be found.
As this supreme test takes place, ibis-headed Thoth, clerk of the gods, waits to record the result in the eternal annals.
In the next panel the scribe, should he pass the test, is to be presented by the hawk-god god Horus to the shrine of his father Osiris, the green-skinned god of the dead, and of the latter's divine sisters Isis and Nephthys.
Above the scene, in precise order of rank, sit in judgment the fourteen presiding gods of Egypt; each of the first seven of whom holds an ankh, the loop-headed cross, trilateral hieroglyphic character of eternal life.
The moment is pregnant with meaning. If Hunefer fails the test, his remains will be swallowed up by the chimerical Ammit and he will be denied entry to the afterlife. He will be consigned to nonexistence for eternity.
Hank Williams performing at a concert, 1951: publicity photo, 1952, image by GDuwen, 21 October 2011
Everybody Wants To Be Famous [Hank Williams 1923-1953, Country Music Hall of Fame, Nashville]: photo by Thomas Hawk, 7 March 2010
Hank Williams poster: photo by "MO", 21 January 2017
Hank Williams and the Drifting Cowboys on WSM [Nashville]: image via bunky's pickle, 29 January 2009
Minnie Pearl [Sarah Ophelia Colley Cannon, 1912-1996] performs at Knott's Berry Farm, Buena Park, California: photographer unknown, n.d., photo via Knott's Berry Farm Collection, Orange County Archives, 8 February 2011
Minnie Pearl's Hat [with pricetag reading $1.98]: photo by National Museum of American History, Smithsonian Institution, 25 September 2013
Minnie Pearl: photo by tomo4president, 4 March 2017
La déesse Maat. Présentation de la déesse Maât sous les traits anthropomorphe d'une femme habillée d'une robe moulante blanche, d'une série de colliers entourant son cou et d'une plume d'autruche maintenue par un bandeau sur sa tête.: image by le livre des morts, 2 March 2013
Maat: image via nicaD., 4 February 2014
Maat: image via nicaD., 4 February 2014
Maat: image via nicaD., 4 February 2014
MAAT. Collage3er.: image via Brakis | Altwan, 28 August 2010
Maat. A decoration from a furniture piece. Goddess Maat. Late Period. Louvre Museum.: image via Heidi Kontkanen, 2 February 2013
Maat, diosa de la justicia: image via Mona Mala, 5 March 2009
Weighing of the heart scene, with Ammit sitting: page from the Book of the Dead of Hunefer: unknown Theban artisan, 19th Dynasty, c. 1300 BCE.: image by Jon Bodsworth, 8 December 2007 (British Museum)
A papyrus from the Book of the Dead in the Egyptian Archive of the British Museum tells the story of the scribe Hunefer in the waiting room of the afterlife: of how his fate hangs in the balance as his heart is weighed against a feather upon the scales of Ma'at, the scales of eternal justice, by the jackal-headed god Anubis.
Hunefer's heart resides, during this transitional period of judgment, inside the small pot on the scale tray to the left, in the illustration above; on the scale tray to the right, we see the feather of Ma'at, or Rectitude. The emotional, intellectual and moral history of Hunefer has been distilled into the contents of the pot. There is no longer any chance of bargaining, negotiating or doing a deal. The finite game of mortal life, with all its little white lies perpetrated in the desperate attempt to keep the game going, is now over for the scribe; the game of infinity, with its very different set of rules, has begun.
Anubis leads Hunefer by the hand into the zone of judgment, and oversees the weighing; the drama is all in the moment for Hunefer, as Ammit the Devourer, also known as the Bone-Eater, not a goddess but more like a terminal custodian of justice, her features a composite of those creatures most feared, the dog, the crocodile, the hippopotamus, crouches beneath the scales, ready to scarf up the heart of Hunefer should the faintest trace of wickedness, a blemish greater than a feather's weight, be found.
As this supreme test takes place, ibis-headed Thoth, clerk of the gods, waits to record the result in the eternal annals.
In the next panel the scribe, should he pass the test, is to be presented by the hawk-god god Horus to the shrine of his father Osiris, the green-skinned god of the dead, and of the latter's divine sisters Isis and Nephthys.
Above the scene, in precise order of rank, sit in judgment the fourteen presiding gods of Egypt; each of the first seven of whom holds an ankh, the loop-headed cross, trilateral hieroglyphic character of eternal life.
The moment is pregnant with meaning. If Hunefer fails the test, his remains will be swallowed up by the chimerical Ammit and he will be denied entry to the afterlife. He will be consigned to nonexistence for eternity.
Hank Williams performing at a concert, 1951: publicity photo, 1952, image by GDuwen, 21 October 2011
Everybody Wants To Be Famous [Hank Williams 1923-1953, Country Music Hall of Fame, Nashville]: photo by Thomas Hawk, 7 March 2010
Hank Williams poster: photo by "MO", 21 January 2017
Hank Williams and the Drifting Cowboys on WSM [Nashville]: image via bunky's pickle, 29 January 2009
Minnie Pearl [Sarah Ophelia Colley Cannon, 1912-1996] performs at Knott's Berry Farm, Buena Park, California: photographer unknown, n.d., photo via Knott's Berry Farm Collection, Orange County Archives, 8 February 2011
Minnie Pearl's Hat [with pricetag reading $1.98]: photo by National Museum of American History, Smithsonian Institution, 25 September 2013
Minnie Pearl: publicity photo for appearance at Civic Opera House, Chicago, 1965; photo by Denny-Moeller Talent, Inc.,; image via We, 23 September 2012
Minnie Pearl: photo by tomo4president, 4 March 2017
La déesse Maat. Présentation de la déesse Maât sous les traits anthropomorphe d'une femme habillée d'une robe moulante blanche, d'une série de colliers entourant son cou et d'une plume d'autruche maintenue par un bandeau sur sa tête.: image by le livre des morts, 2 March 2013
Maat: image via nicaD., 4 February 2014
Maat: image via nicaD., 4 February 2014
Maat: image via nicaD., 4 February 2014
MAAT. Collage3er.: image via Brakis | Altwan, 28 August 2010
Maat. A decoration from a furniture piece. Goddess Maat. Late Period. Louvre Museum.: image via Heidi Kontkanen, 2 February 2013
Maat, diosa de la justicia: image via Mona Mala, 5 March 2009
Maat. From the southern chapel at the Temple of Deir al Medina, dedicated to Arun-Sokar-Osiris: image via Heidi Kontkanen, 8 April 2011
Clone Stamp Tool
Ragpickers sort through garbage next to greater adjutant storks and cows at a large dump in Guwahati. Photo @BoroBiju: image via Frédérique Geffard @fgeffardAFP, 5 June 2017
#India An Indian woman's feet are pictured as she collects recyclable items at a garbage dump on the outskirts of Hyderabad. Photo @noahseelam: image via Frédérique Geffard @fgeffardAFP, 5 June 2017
An injured demonstrator is helped by primary care response volunteers during a rally against Venezuela's president: image via Reuters Pictures @reuterspictures, 5 June 2017
Last week's Kabul bomb death toll jumps to more than 150: Ghani: image via AFP news agency @AFP, 5 June 2017
Outside @emergency_ong hosp., Kabul after today's blast that killed 80+ and wounded 350+. Non-life-threatening victims patched up and discharged: image via Andrew Quilty @andrewquilty, 31 May 2017
Toxic froth from industrial pollution floats on Bellundur Lake, #WorldEnvironmentDay in Bangalore, India, June 5, 2017. #APTOPIX: image via AP Images @AP_Images, 5 June 2017
Smoke billows from an Islamic State position moments after an Iraqi helicopter fired a rocket in western Mosul: image via Reuters Pictures @reuterspictures, 5 June 2017
Clone Stamp Tool
Ragpickers sort through garbage next to greater adjutant storks and cows at a large dump in Guwahati. Photo @BoroBiju: image via Frédérique Geffard @fgeffardAFP, 5 June 2017
#India An Indian woman's feet are pictured as she collects recyclable items at a garbage dump on the outskirts of Hyderabad. Photo @noahseelam: image via Frédérique Geffard @fgeffardAFP, 5 June 2017
Child servants in Haiti toil in hope of a better life, that for many, never comes. @CheryHaiti @dmcfadd: image via AP Images @AP_Images, 5 June 2017
#Philippines Evacuees from Marawi City camp rest at the Saguiaran Townhall in Lanao del Sur on the southern island of Mindanao. Photo @herime23: image via Frédérique Geffard @fgeffardAFP, 5 June 2017
An injured demonstrator is helped by primary care response volunteers during a rally against Venezuela's president: image via Reuters Pictures @reuterspictures, 5 June 2017
Last week's Kabul bomb death toll jumps to more than 150: Ghani: image via AFP news agency @AFP, 5 June 2017
Outside @emergency_ong hosp., Kabul after today's blast that killed 80+ and wounded 350+. Non-life-threatening victims patched up and discharged: image via Andrew Quilty @andrewquilty, 31 May 2017
Pakistani youth cool off in a stream during a hot day on the outskirts of Islamabad on June 5, 2017: image via AFP news agency @AFP, 5 June 2017
Michael Nichols'"A Wild Life" investigates interactions between #humans and #nature and the impact on habitat #visapourlimage2017 @NatGeoPhotos: image via Jean-Francois Leroy @jf_leroy, 3 June 2017
Michael Nichols'"A Wild Life" investigates interactions between #humans and #nature and the impact on habitat #visapourlimage2017 @NatGeoPhotos: image via Jean-Francois Leroy @jf_leroy, 3 June 2017
Toxic froth from industrial pollution floats on Bellundur Lake, #WorldEnvironmentDay in Bangalore, India, June 5, 2017. #APTOPIX: image via AP Images @AP_Images, 5 June 2017
Smoke billows from an Islamic State position moments after an Iraqi helicopter fired a rocket in western Mosul: image via Reuters Pictures @reuterspictures, 5 June 2017